Velda Brotherton has a long career in historical writing, both fiction and nonfiction. Her love of history and the west is responsible for the publication of 25 books and novels since 1994.

But she’s not about ready to stop there. When the mid-list crisis hit big city publishers, she turned first to writing regional nonfiction, then began to look at the growing popularity of small presses as a source for the books that continue to flow from her busy mind. Those voices simply won’t shut up, and so she finds them a home.

First she obtained a conversion of rights for her out-of-print historical romances and published all six to Kindle. Within a matter of months, she placed a western historical romance, Stone Heart’s Woman, with The Wild Rose Press, an award winning publisher of both print and E books; then a mainstream paranormal, Wolf Song, was accepted by SynergE Books.

Not satisfied that her career might level off, she produced an audio book of Montana Promises along with Jeff Justus. The Montana series is also available as a boxed set. A novella, The Legend of the Rose, based on the true story of Cimarron Rose, is available on Kindle. Stone Heart’s woman is also available in audio.

While Wild Rose Press continues to publish her western romances, including Wilda’s Outlaw: The Victorians, and the second in the series, Rowena’s Hellion, in a change of pace, the press published her Vintage love story, Once There Were Sad Songs. The most thrilling experience in her writing career came when Oghma Creative Media contracted her book, Beyond the Moon, a story she has treasured since its first writing in 1985, and signed her to a four-book contract. One is to reprint the Ozark cookbook containing recipes from her mother’s collection and stories of growing up in Arkansas during the depression,

The most fun she’s had came when owner/designer of Oghma Creative Media, Casey Cowan, suggested a new brand. Sexy Dark and Gritty so well fits her writing style that it was quickly adopted.

This busy writer who has co-chaired a large weekly critique group since 1988, also gives two yearly all-day workshops and mentors promising young writers, plus teaches at conferences in a four-state area. She isn’t sure what will come next. With all those voices in her head, she’s bound to let some of them out to play before long.

Website: veldabrotherton.com

IF THERE WAS A SATURDAY MATINEE, Dusty was there with Hoppy, Roy and Gene. He went to roundup at seven-years-old, sat on a real horse and watched them brand calves on the Peterson Ranch in Othello, Washington. When his family moved to Arizona from the Midwest, at age 13, he knew he’d gone to heaven. A horse of his own, ranches to work on, rodeos to ride in, Dusty’s mother worried all his growing up years he’d turn out to be some “old cowboy bum.”

He read every western book on the library shelves. He sat on the stoop of Zane Grey’s cabin on Mrs. Winter’s ranch and looked out over the “muggie-own” rim and promised the writer’s ghost his book would join Grey’s some day on the book rack.

Since English teachers never read westerns, he made up book reports like “Guns on the Brazos” by J.P. Jones. The story of a Texas Ranger who saves the town and the girl. Then he sold them for a dollar to other boys too lazy to read when teenagers were lucky to earn fifty cents an hour. In fact, book reports kept him and his buddy in gas money to go back and forth to high school.

After graduating from Arizona State University in 1960, he came to northwest Arkansas, ranched, auctioneered, announced rodeo, worked 32 years for Tyson Food in management, anchored TV news and struggled to get a book of his own sold. The three earlier books on the list were published without his knowledge and only discovered in 2011 as even existing.

In 1992, his first novel, Noble’s Way was published. In 2003, his novel The Natural won the Oklahoma Writer’s Federation Fiction Book of the Year Award. In 2004, The Abilene Trail won the same award. Dusty invests a lot of his time helping others who want to learn how to write by speaking at seminars and conferences all over the United States. There is no difference in writing any kind of fiction. In Dusty’s words, “You simply change the sets, costumes and dialect.”

Dusty’s website: dustyrichards.com
Interview on Youtube: http://youtu.be/n1p4-B6fvjE?hd=1